Are we sending aliens the right messages?
Despite decades of sending sounds and pictures into space no aliens have responded. Have we been doing it wrong? Tracey Logan investigates, and discovers some novel attempts to make contact – including the smells of our planet.
Artist Carrie Paterson has long dreamed of beaming messages far out to the emptiness of space. Except her messages would have an extra dimension – smell.By broadcasting formulae of aromatic chemicals, she says, aliens could reconstruct all sorts of whiffs that help to define life on Earth: animal blood and faeces, sweet floral and citrus scents or benzene to show our global dependence on the car. This way intelligent life forms on distant planets who may not see or hear as we do, says Paterson, could explore us through smell, one of the most primitive and ubiquitous senses of all.
(Wikipedia)It is nearly 40 years since the Arecibo facility sent messages out into space (Wikipedia)Her idea is only the latest in a list of attempts to hail intelligent life outside of the Solar System. Forty years ago this month, the Arecibo radio telescope in Puerto Rico sent an iconic picture message into space – and we’ve arguably been broadcasting to aliens ever since we invented TV and radio.However in recent years, astronomers, artists, linguists and anthropologists have been converging on the idea that creating comprehensible messages for aliens is much harder than it seems. This week, Paterson and others discussed the difficulties of talking to our cosmic neighbours at a conference called
held by Seti (Search for Extraterrestrial Intelligence). It seems our traditional ways of communicating through pictures and language may well be unintelligible – or worse, be catastrophically misconstrued. So how should we be talking to ET?
We have always wanted to send messages about humanity beyond the planet. According to Albert Harrison, a space psychologist and author of lien life appeared two centuries ago, though they never got off the ground.In the 1800s, mathematician Carl Gauss proposed cutting down lines of trees in a densely forested area and replanting the strips with wheat or rye, Harrison wrote in his book. “The contrasting colours would form a giant triangle and three squares known as a Pythagoras figure which could be seen from the Moon or even Mars.” Not long after, the astronomer Joseph von Littrow proposed creating huge water-filled channels topped with kerosene. “Igniting them at night showed geometric patterns such as triangles that Martians would interpret as a sign of intelligence, not nature.”
We have always wanted to send messages about humanity beyond the planet. According to Albert Harrison, a space psychologist and author of Starstruck: Cosmic Visions in Science, Religion and Folklore, the first serious designs for contacting alien life appeared two centuries ago, though they never got off the ground.In the 1800s, mathematician Carl Gauss proposed cutting down lines of trees in a densely forested area and replanting the strips with wheat or rye, Harrison wrote in his book. “The contrasting colours would form a giant triangle and three squares known as a Pythagoras figure which could be seen from the Moon or even Mars.” Not long after, the astronomer Joseph von Littrow proposed creating huge water-filled channels topped with kerosene. “Igniting them at night showed geometric patterns such as triangles that Martians would interpret as a sign of intelligence, not nature.”
But in the 20th Century, we began to broadcast in earnest. The message sent by Arecibo hoped to make first contact on its 21,000 year journey to the edge of the Milky Way. The sketches it contained, made from just 1,679 digital bits, look cute to us today, very much of the ‘Pong’ video game generation. Just before then, Nasa’s Pioneer 10 and 11 space probes each carried a metal calling card bolted onto their frame with symbols and drawings on the plaque, showing a naked man and woman.Yet it’s possible that these kinds of message may turn out to be incomprehensible to aliens; they might find it as cryptic as we find Stone Age etchings.
“Linear drawings of a male and a female homo sapiens are legible to contemporary humans,” says Marek Kultys, a London-based science communications designer. ”But the interceptors of Pioneer 10 could well assume we are made of several separate body parts (i.e. faces, hair and the man’s chest drawn as a separate closed shapes) and our body surface is home for long worm-like beings (the single lines defining knees, abdomens or collarbones.).”Man-made tech may also be an issue. The most basic requirement for understanding Voyager’s Golden Record, launched 35 years ago and now way out beyond Pluto, is a record player. Aliens able to play it at 16 and 2/3 revolutions a minute will hear audio greetings in 55 world languages, including a message of ‘Peace and Friendship’ from former United Nations Secretary General Kurt Waldheim. But how many Earthlings today have record players, let alone extraterrestrials?
What if the aliens we’re trying to talk to are utterly different from us, physically and mentally? What if alien life is like the type encountered in Stanislav Lem’s Solaris, for instance, where a planet is surrounded by an intelligent ocean. The ocean itself is the alien being, a disembodied mind.“Supposing an “alienish” speaking human wished to explain the whole concept of sexual reproduction to a homogenous sentient ocean, would there be any chance for the human to become understood?” says Kultys. “Sharing the same context is essential for comprehension.”
Inevitably such messages become outdated too, like time capsules. Consider the case of the Oglethorpe Atlanta Crypt of Civilization – a time capsule sealed on Earth in 1940, complete with a dry martini and a poster of Gone With the Wind. It was intended as a snapshot of 20th Century life for future humans, not aliens, but like an intergalactic message, may only give a limited picture to future generations. When, in 61,000 years, the Oglethorpe time capsule is opened, would Gone With The Wind have stood the test of time?
Artist Carrie Paterson has long dreamed of beaming messages far out to the emptiness of space. Except her messages would have an extra dimension – smell.By broadcasting formulae of aromatic chemicals, she says, aliens could reconstruct all sorts of whiffs that help to define life on Earth: animal blood and faeces, sweet floral and citrus scents or benzene to show our global dependence on the car. This way intelligent life forms on distant planets who may not see or hear as we do, says Paterson, could explore us through smell, one of the most primitive and ubiquitous senses of all.
(Wikipedia)It is nearly 40 years since the Arecibo facility sent messages out into space (Wikipedia)Her idea is only the latest in a list of attempts to hail intelligent life outside of the Solar System. Forty years ago this month, the Arecibo radio telescope in Puerto Rico sent an iconic picture message into space – and we’ve arguably been broadcasting to aliens ever since we invented TV and radio.However in recent years, astronomers, artists, linguists and anthropologists have been converging on the idea that creating comprehensible messages for aliens is much harder than it seems. This week, Paterson and others discussed the difficulties of talking to our cosmic neighbours at a conference called
Communicating Across the Cosmos
held by Seti (Search for Extraterrestrial Intelligence). It seems our traditional ways of communicating through pictures and language may well be unintelligible – or worse, be catastrophically misconstrued. So how should we be talking to ET?
Lost in translation?
We have always wanted to send messages about humanity beyond the planet. According to Albert Harrison, a space psychologist and author of lien life appeared two centuries ago, though they never got off the ground.In the 1800s, mathematician Carl Gauss proposed cutting down lines of trees in a densely forested area and replanting the strips with wheat or rye, Harrison wrote in his book. “The contrasting colours would form a giant triangle and three squares known as a Pythagoras figure which could be seen from the Moon or even Mars.” Not long after, the astronomer Joseph von Littrow proposed creating huge water-filled channels topped with kerosene. “Igniting them at night showed geometric patterns such as triangles that Martians would interpret as a sign of intelligence, not nature.”
We have always wanted to send messages about humanity beyond the planet. According to Albert Harrison, a space psychologist and author of Starstruck: Cosmic Visions in Science, Religion and Folklore, the first serious designs for contacting alien life appeared two centuries ago, though they never got off the ground.In the 1800s, mathematician Carl Gauss proposed cutting down lines of trees in a densely forested area and replanting the strips with wheat or rye, Harrison wrote in his book. “The contrasting colours would form a giant triangle and three squares known as a Pythagoras figure which could be seen from the Moon or even Mars.” Not long after, the astronomer Joseph von Littrow proposed creating huge water-filled channels topped with kerosene. “Igniting them at night showed geometric patterns such as triangles that Martians would interpret as a sign of intelligence, not nature.”
But in the 20th Century, we began to broadcast in earnest. The message sent by Arecibo hoped to make first contact on its 21,000 year journey to the edge of the Milky Way. The sketches it contained, made from just 1,679 digital bits, look cute to us today, very much of the ‘Pong’ video game generation. Just before then, Nasa’s Pioneer 10 and 11 space probes each carried a metal calling card bolted onto their frame with symbols and drawings on the plaque, showing a naked man and woman.Yet it’s possible that these kinds of message may turn out to be incomprehensible to aliens; they might find it as cryptic as we find Stone Age etchings.
Antique tech
“Linear drawings of a male and a female homo sapiens are legible to contemporary humans,” says Marek Kultys, a London-based science communications designer. ”But the interceptors of Pioneer 10 could well assume we are made of several separate body parts (i.e. faces, hair and the man’s chest drawn as a separate closed shapes) and our body surface is home for long worm-like beings (the single lines defining knees, abdomens or collarbones.).”Man-made tech may also be an issue. The most basic requirement for understanding Voyager’s Golden Record, launched 35 years ago and now way out beyond Pluto, is a record player. Aliens able to play it at 16 and 2/3 revolutions a minute will hear audio greetings in 55 world languages, including a message of ‘Peace and Friendship’ from former United Nations Secretary General Kurt Waldheim. But how many Earthlings today have record players, let alone extraterrestrials?
What if the aliens we’re trying to talk to are utterly different from us, physically and mentally? What if alien life is like the type encountered in Stanislav Lem’s Solaris, for instance, where a planet is surrounded by an intelligent ocean. The ocean itself is the alien being, a disembodied mind.“Supposing an “alienish” speaking human wished to explain the whole concept of sexual reproduction to a homogenous sentient ocean, would there be any chance for the human to become understood?” says Kultys. “Sharing the same context is essential for comprehension.”
Time capsule
Inevitably such messages become outdated too, like time capsules. Consider the case of the Oglethorpe Atlanta Crypt of Civilization – a time capsule sealed on Earth in 1940, complete with a dry martini and a poster of Gone With the Wind. It was intended as a snapshot of 20th Century life for future humans, not aliens, but like an intergalactic message, may only give a limited picture to future generations. When, in 61,000 years, the Oglethorpe time capsule is opened, would Gone With The Wind have stood the test of time?
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